It’s all good to jump on the ‘80s electro bandwagon – but if you haven’t got the imagination or the hooks, you ain’t gonna get much further than that. Sadly, that’s the case for Amanda Warner, whose hotly-anticipated debut Feed Me Diamonds somewhat disappoints, especially after her contribution (and launching pad moment) on Mark Ronson’s 2010 single Bang Bang Bang. And although at times Warner successfully channels the likes of Robyn (check out Fall In Love With The Enemy) and actually manages to make Feed Me Diamonds heavy on the lyrics, it mostly just sounds done-to-death and recycled. There’s nothing new here that all the other electro pop princesses haven’t done already and originality definitely isn’t Warner’s strength. Still, given that it’s her first full-length, there may be hope yet.
We’ve all got them. Mix CDs which we’ve cherished for years, decades even, which are as much a journey through sound as they are markers on our listening lives.
Mixed albums such as Come Get It I Got It by David Holmes, Ante Perry’s Flashing…
Solid just doesn’t quite cut it anymore for a commercial mix, especially a Fabric outing. With Resident Advisor, XLR8R, Fact Mag and co delivering quality free mixes on a weekly basis, for Fabric, Balance, Berghain, Watergate etc to continue they’ve…
Even on first listen, you just know Urthboy’s new album Smokey’s Haunt is gonna go on to do huge things for the MC/Elefant Traks label honcho. Although it contains the pretty-much-standard 12 tracks (featuring a number of guests like Daniel…
Formerly known as Phatchance, Chance Waters gets deep, introspective and very emo on his sophomore album Infinity. With the exception of a couple of tracks, it’s hard to define his new record as ‘hip hop’, as the only thing even…
‘High energy’ sums up Robbie Rivera’s full-length Dance Or Die, the title actually being quite apt after hearing this baby from start to finish. Kicking things off with the Beatport-charting Wynter Gordon electro-house collab In The Morning, the album progresses…
The Orb join forces with dub legend and one of their biggest influences, Lee ‘Scratch’ Perry, on this collaboration album that ends up sounding about 90 percent dub and about 10 percent house. Backed by spacey, down-tempo electronic beats, Perry…
It’s Saturday night and you’re out. Your outfit is looking fine and making eye-contact with all those attractive creatures around you is a game; and you love it. The drinks are mixed to perfection, dancing across your palate and going…
Inspired by his nocturnal ways, word has it that Alexander Ridha pieced together his latest album Out Of The Black entirely by night while the rest of the world slept. Judging from the aggressive, schizophrenic brand of electro on offer,…
The Scot and Soma veteran best known for the eternal Diabla (which is included via an exclusive remix here), Funk D’Void, continues the techno and tech house skew of Balance away (thankfully) from its prog origins. The opening mix of…
You probably already know her as the sassy front-lady of the funk collective The Bamboos, but Kylie Auldist has been releasing solo albums in her own right over the last few years, Still Life making for her third full-length offering.…
In a word, this is intense. And then some. To call My God Is Blue an album of ‘songs’ is probably an understatement – this is more akin to a collection of composition pieces that are definitely ‘grandiose’ but manage…
Rinse FM star Oneman is one of those rare breeds in international clubbing – he’s a DJ. Not a producer/DJ or a producer-cum-DJ but just a fucking DJ – hallelujah! Like another Fabric endorsed pure DJ before him, Jackmaster, Oneman…